Vol. 2 No. 4

Image Credit: Bethany Collins, Too White To Be Black, (2014). Graphite, charcoal, and latex paint on Arches paper 29 × 41 in. © Bethany Collins, Courtesy of Patron Gallery, Chicago.
Arts & Culture / Politics / The Reading Room / Vol. 2 No. 4

Be (In) Water: A Note on the Black Otolith

The first time that I heard the word “otolith” was in a brief video from the Natural History Museum (NHM) in London. In it, their “curator of fish,” James Maclaine, demonstrated the new scanning technology that would allow him to examine the undigested stomach contents of the Museum’s rare, preserved […]

Image Credit: Yashua Klos, Mask (Non-Functional) with Pyramid Headdress, (2014). Paper construction of woodblock prints on archival paper 60" x 45". Courtesy of the artist.
Arts & Culture / Politics / The Reading Room / Vol. 2 No. 4

Cultural Memory and Public Space: Dispatches from Canada

As in the United States and England, statues have been toppled and street names debated in Canada. The statue of John A. Macdonald came down in Montreal on August 29, 2020. Ma(d)Donald you ask? Well, in this case, the first prime minister of Canada (1867–1873, 1878–1891), associated with completion of […]

Image Credit: Yashua Klos, God of The Ghetto, (2015). Paper construction of woodblock prints and graphite on archival paper — 35" x 45". Courtesy of the artist.
Arts & Culture / Politics / The Reading Room / Vol. 2 No. 4

Signifying Blackness

I remember reading Black feminist scholar Audre Lorde’s essay “Age, Race, Class, and Sex: Women Redefining Difference,” and I was captivated by her use of the capitalization of Black, Color/ed, Black women, Black lesbianism, and Black men throughout the essay, while at the same time demoting “white” and “america” to […]