this mourning
Arts & Culture / Convergence / Politics / Vol 3. No. 1

this mourning

  star of Bethlehem open in profusion with the new moon a ground cover of small celestial flowers on this day when the faithful break their month-long fast   at long last the bones of our children have been returned to family and earth…   how could it be? almost […]

Convergence / Vol. 2 No. 4

Convergence 6: Movement and Resistance

“Movement and Resistance” provides the theme of the fall issue of the A-Line. Where in the world has there not been movement over the last year from Beirut to Hong Kong, from Seattle and Portland to Kenosha and Minneapolis for one reason or another? What they all appear to have […]

Image Credit: Grace Y. Williams,Trump: Metal and Bones, (2017). Bone, currency, synthetic evergreen, paper, metal, wheel, twine, coir. Courtesy of the artist.
Convergence / Politics / Vol. 2 No. 4

In Praise of Sedition

“The police aren’t there to create disorder, they’re there to preserve disorder.” – Mayor Richard Daley, Chicago, 1968 “Anarchy is order; government is civil war.” – Anselme Bellegarrigue, France, 1850 This past summer, reacting to the mass nationwide uprising that erupted following the police murder of George Floyd (ironically, on […]

Image Credit: Grace Y. Williams, Trump: Metal and Bones, (2017). Bone, metal, rubber, tubing, cd, bullet, leather, paper, enamel. Courtesy of the artist.
Convergence / Politics / Vol. 2 No. 4

Notes to Self and Other Poems

notes to self rant/ rally/ housework (III and) continuing. . . this is for all the traffic jammers and the head bangers, for fights over parking and jumping to the front of the line in your face, to hell with everybody else, “where’s mine?” “I gotta get mine!” too busy […]

Image Credit: Susan Bee, Anywhere Out of the World, (2019), 24" x 18", 30” x 24”, oil on linen. Courtesy of the artist.
Arts & Culture / Convergence / Politics / Vol. 2 No. 4

from Where Here Were We

June 24 Every once in a while well maybe not every when the wind is especially fierce there’s a rawness without sorrow or wound, shouted into storm, the low the high the good the bad. Well maybe not bad but it feels that way, like a slap across the face […]

Image Credit: Chiffon Thomas, A mother who had no mother, (2017). Embroidery floss, acrylic paint, and canvas on window screen, 57" x 44 1/2". © Chiffon Thomas.
Arts & Culture / Convergence / Politics / Vol. 2 No. 4

from A History of the Bitch (AHOTB)

Testimonial Testify For a time, in some places, only men could testify. “Testify” rooted with testes testicles. Tongue tied to crotch; talk of truth as— biology.                  Biblical Abraham had his servant swear a solid: “put your hand under my thigh, and I […]

Image Credit: Yashua Klos, Rise, (2015). Paper construction of woodblock prints and graphite on archival paper mounted onto unstretched canvas, 90" x 70". Courtesy of the artist.
Convergence / Politics / Vol. 2 No. 4

68 Seats and More: Black Women and the Myth of American Democracy

Backs might have been breaking in Louisville, in Portland, and in Kenosha, when the ghosts of Black radicalism were called upon once again to bridge the chasm between the liberal democratic tradition of representative democracy and the radical demand for abolition democracy.1 By late summer 2020, that demand had municipal […]

Image Credit: Yashua Klos, Head Study 6, (2015). Paper construction of woodblock prints on archival paper, 8" x 8". Courtesy of the artist.
Convergence / Politics / Vol. 2 No. 4

Method and the Horizon: On Christian Parenti’s Dirigiste Radical Hamilton

(for Mike Ladd) Modern politicians tend to fawn over entrepreneurs and disparage state action. But once in power, even the most radical free-market ideologues practice a form of bastardized Hamiltonianism. This reflects an important historical truth: capitalism is produced and reproduced by the state. –Christian Parenti, Radical Hamilton (174)1 Finally, […]

Image Credit: Henry Taylor, Rock It, (2008). 5 cardboard boxes (premium malt boxes), acrylic on foam mannequin head, wood) 36" x 12" x 80 1/2". © Henry Taylor
Arts & Culture / Convergence / Politics / Vol. 2 No. 4

The Danger of Cheer’s Resolve

Ruckus squawking overhead, each moment seagulls grousing as if the world were theirs. Somewhat out of sorts, a casual form slogs along the strand gazing at sky’s noise, a forceful finger lifted to the din, his gruff deliberate bark snarling BASTA! Awkward, slightly corpulent, no longer quickly springing up to […]

Image Credit: Charles Frederick, Shawangunk Mushroom, (2013-2020). Courtesy of the artist.
Arts & Culture / Climate / Convergence / Politics / Vol. 2 No. 4

Climate Catastrophes

the roses too/ bloomed red that year/ at the wrong time/ (far too early)/ a warning/ (which once again we refused to heed)/ thus against the fields of white frost,/ they were as though stigmata/ (breaking a holy flesh)/ earth signs, bloodletting/ animals at night/ injuring one another/ (my father […]